春日樱桃甜小酒

18/07/2018今天的香港能够因为颜色政见派别不同而互相撕裂憎人富贵嫌人贫充满仇恨地恭喜你屋企死人确实令人遗憾出乎意料的是他并没有像我们观众一样拥有鼓掌或不鼓掌的「春日樱桃甜小酒」而是好理智好有思考的角度既能观察到「女人69p」的普通话人心酸又有暗角七警「无双大蛇2特别版」等等的大是大非过程中我突然觉得他选择现在告别栋笃笑是好明智因为无论是现在还是将来自由都只会越收越窄黄金年代也只能用来怀缅最后我哭崩了像提及往昔巨星的告别演唱会般也见证了一个历史

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

真是一部伟大的剧集啊首先让一个不会说英语的人这样追下来脱口秀啊不了解他们的文化（犹太人）还这么好笑了解呢甚至让我考虑是否听下同胞的脱口秀（妈呀综艺节目）然后唉那么多好看的衣服啊那是多美的时代每条裙子都有它的大衣春日樱桃甜小酒每个手袋都配着帽子（好吧估计房价很便宜）；最后嗯编剧是不是好老婆额编剧怎么一样一样的老公劈腿离婚就知道她一定会成功看到她去把当初住的房子买下来心里就咯噔一下完了资金链一定会断裂

再也没有如此有couple感的杨过和小龙女了情不知所起一往而深古彤

明月淡淡罩着寂寞的人群从没有过这样孤寒的抗日片流弹的星芒都像衣角掸去的萤火春日樱桃甜小酒不是不紧张紧张都在一日一日数米的煎熬里